Cognition Edition Music Perception Psychology Second

This far-ranging book shows how human memory influences the organization of music. The book is divided into two parts. The first part presents basic ideas about memory and perception from cognitive psychology and, to some extent, cognitive linguistics. Topics include auditory processing, perception, and recognition. The second part describes in detail how the concepts from the first part are exemplified in music. The presentation is based on three levels of musical experience: event fusion (the formation of single musical events from acoustical vibrations in the air, on a time scale too small to exhibit rhythm), melody and rhythm, and form. The focus in the latter is on the psychological conditions necessary for making large-scale--that is, formal--boundaries clear in music rather than on traditional musical forms. The book also discusses the idea that much of the language used to describe musical structures and processes is metaphorical. It encourages readers to consider the possibility that the process of musical composition can be "a metaphorical transformation of their own experience into sound."The book also touches on unresolved debates about psychological musical universals, information theory, and the operation of neurons. It requires no formal musical training and contains a glossary and an appendix of listening examples.

Our sense that a waltz is "in three" or a blues song is "in four with a shuffle" comes from our sense of musical meter. Hearing in Time explores musical meter from the point of view of cognitive theories of perception and attention--how our ability to follow musical meter is simply a specific instance of our more general ability to synchronize our attention to regularly recurring events in our environment. As such, musical meter is subject to a number of fundamental perceptual and cognitive constraints, which form the cornerstones of Londons account. He uses familiar examples from a broad range of music that allow him to explore a number of fundamental similarities between a variety of different metric phenomena, such as the difference between so-called simple versus complex or additive meters. Because of its accessible style--only a modest ability to read a musical score is presumed--Hearing in Time is for anyone interested in rhythm and meter, including cognitive psychologists, musicologists, musicians, and music theorists.

Music cognition - Music cognition is an interdisciplinary field involving such disparate areas as cognitive science, music theory, psychology, musicology, neuroscience, computer science, philosophy, etc. The field aspires to account for the underlying mental processes that occur when people listen to music or perform music.

Cognitive psychology - Cognitive psychology is the psychological science that studies cognition, the mental processes that underlie behavior, including thinking, deciding, reasoning, and to some extent motivation and emotion. This covers a broad range of research domains, examining questions about the workings of memory, attention, perception, knowledge representation, reasoning, creativity and problem solving.

Sensation and perception psychology - Sensation and perception psychology is the study of the human and animal systems such as vision, audition and pain sensation. Included in this discpline is the study of illusions such as motion after effect, color constancy and depth perception.

Lera Boroditsky - Lera Boroditsky is a psychology professor at Stanford University in California doing research in Cognitive Science. She studies language and cognition, specifically focusing on interactions between language, cognition, and perception.

cognitioneditionmusicperceptionpsychologysecond

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Brain in Mind Music - Brain in Mind Music Rhythm, Music, And The Brain With the advent of modern cognitive neuroscience brain in mind music and its new tools of studying the human brain live, music as a highly complex, temporally ordered brain in mind music and rule-based sensory language quickly became a fascinating topic of study. By studying the physiology brain in mind music and neurology of brain function in music, we can obtain a great deal of knowledge about the perception of complex ...

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